ADVANCED MUSIC HISTORY Cheat Sheet for June 19
BORN
ANN WILSON of Heart
NICK DRAKE
SCOTT AVETT of The Avett Brothers
THIS HAPPENED
In 1965, Four Tops went to #1 on the US singles chart with “I Can’t Help Myself.” Lead singer Levi Stubbs had not been satisfied with the recording session and was promised that he could do it again the following day, but that never happened so the version that became a smash hit was just Stubbs’ second vocal take.
In 1971, Carole King started a five-week run at #1 on the US singles chart with “It’s Too Late.”
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Hear At Home with Matthew Caws of Nada Surf
Good ol' Andy Chanley is at it again, this time chatting with Matthew Caws of Nada Surf for 88.5 FM's Hear At Home series. They talk about their latest release, 'Never Not Together.' They also reminisce about Nada Surf's visit to the 88.5 studios, before the pandemic, and Matthew Caw's favorite quarantine meal.
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ADVANCED MUSIC HISTORY Cheat Sheet for June 18
BORN
PAUL McCARTNEY
RAY LaMONTAGNE
THIS HAPPENED
In 1948, Columbia Records started the first mass production of the 33rpm long player (LP). The new format could contain a maximum of 23 minutes of music per side versus the three minutes that could be squeezed on to a 78rpm disc.
In 1977, Fleetwood Mac went to #1 on the US singles chart with “Dreams,” the group’s first and only US #1. Stevie Nicks says she wrote the song at the Record Plant studio in Sausalito, California, in about 10 minutes.
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Hear At Home with Steve Earle
Your afternoon host and friend, Andy Chanley and Steve Earle connect for 88.5 FM's Hear At Home series. They talk about Steve's newest record, 'Ghosts of West Virginia,' which is available now.
Some of Our Favorite Artists Supporting Small Business!
American business has been hit hard during the pandemic. Small businesses have been especially impacted. Small businesses are not just stores, services and restaurants, they are members of their community and are in need of support.
Musical artists are coming together to bring you “Small Business Live,” a one-day musical experience to raise money for the Accion Opportunity Fund. The fund provides grants to at-risk small businesses hit hardest by COVID-19, with a focus on those run by women and people of color.
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ADVANCED MUSIC HISTORY Cheat Sheet for June 17
BORN
GREGG ROLIE of Santana/Journey/Ringo Starr’s All-Starr Band
PAUL YOUNG of Sad Café/Mike + The Mechanics
THIS HAPPENED
In 1965, The Kinks and The Moody Blues made their US concert debut at the Academy of Music in New York City.
In 1965, Working at Abbey Road Studios in London, The Beatles completed work on the new Paul McCartney song, “Yesterday” on the day before his 23rd birthday; they also recorded “Act Naturally,” Ringo’s vocal contribution to the Help! album, and “Wait,” which was included on Rubber Soul.
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Keeping the Dead Alive!
Dead, alive and well (virtually) and touring the information superhighway...It’s the Grateful Dead and Dead & Company streaming weekly on YouTube!
On Fridays at 5PM Pacific Time, it’s the “Shakedown Stream,” a live Q&A with archivist David Lemieux and historian Gary Lambert followed by the screening of a classic live Grateful Dead show. Every week they have a special guest and they choose a different worthy organization to raise funds for. Past charities have included the MusiCares Covid-19 Relief Fund and the ACLU Solidarity Fund.
ADVANCED MUSIC HISTORY Cheat Sheet for June 16
BORN
GARRY ROBERTS of The Boomtown Rats
IAIN MATTHEWS of Fairport Convention/Matthews Southern Comfort
JED MOTTLEY of Feed The Kitty
MATT COSTA
THIS HAPPENED
In 1967, The Monterey Pop Festival began in Monterey, California, unofficially ushering in the Summer Of Love. Over the course of three days, tens of thousands saw the first major appearances of The Jimi Hendrix Experience, The Who, and Janis Joplin. The Byrds, Grateful Dead, Jefferson Airplane, Simon & Garfunkel, The Steve Miller Band, Canned Heat, The Mamas & The Papas, and Buffalo Springfield also performed. John Phillips of The Mamas & The Papas wrote “San Francisco (Be Sure To Wear Flowers In Your Hair)” to promote the festival, which later became a hit for Scott McKenzie.
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